1. |
Suite Française
01:15
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Flames of letters burning
She picks remnants, from the ashes
Stylus, on the record-player slowly turning
His hands held out
As an invitation to dance
Piano lid, suggestively opened
Might I play you something he once said
As he stared out, way beyond the distance
We never talk of love in this house
We never ever talk of love
I only met my husband twice
Before we were married
Now I read, that he was unfaithful
He fathered a child, by another woman
Told to me, within these barren letters
From those who I have come to loathe
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2. |
Flower Duet
00:56
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All of those years
At the opera
In the music collection
Even selected for the funeral service
Played
In every room in this house
Yet, only yesterday
Translated into English
Such that you could be by the river bank
Such that you could be holding hands
Such that you too
Could be there together
Going on forever
Going on, and on, forever
Hitting the high notes graciously
Not dwelling too long on the low notes
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3. |
||||
Skimming pebbles on the ocean
Sipping cocktails on the boardwalk
Twisting worry beads through the fingers
Keeping death another world away
Reading papers in the sunlight
Buying the NME for the music charts
Who is that soulful singer
Whose words sweetly, succinctly, let us sway
That Saturday afternoon
In the closing down sale electric shop
Light Blue Stax and Red Atlantic records
Forty-fives for the less than twenty-fives
I bought them and I played them
I kept them for more than many a day
Light Blue Stax and Red Atlantic records
They set me up, as the man who went astray
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4. |
A Whiter Shade Of Pale
01:23
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Yes, yes, you were somewhat special
Yes you did predict it would be number one
Before anyone else took any notice
No need to understand the lyrics, or their meaning
For you it is emotion, and grace which come first
And that song, yes that song
It hit you right there in your solar-plexus
With its layers of grace, grace and emotion
Since then you have looked into the light
Still without worry of the meaning
You are here and you are with us
No longer the whiter shade of pale
No longer the doubter of doubts
You are here and you are with us
No longer the spiller of tears
Yes, yes, you are somewhat special
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5. |
Spiegel im Spiegel
00:47
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I love you
I love you
I love you
I love you
I don’t want to say too much more
No...
No...
No, I don’t want to say too much more
And if you don’t come home
I will try to comprehend
And if you do come home
I will try to make amends
I loved you
I loved you
I loved you
I love you
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6. |
||||
Less of a story
More your interior exposure
Yet still about the closure
Of a life taken too soon, a life taken too soon
Not yet in heaven
Or in the overcast grey skies
Not counting to seven
Nor riding on the fairground rides
Play it again Sam
Think once more of Cypress Avenue
Those notes of sweet perfumes
Tunes that drift on by
On those days of happenstance
Where fate alone could take its chance
Of those days on which to say goodbye
Wondering why you had to die
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7. |
||||
I forget
Did you forget too
I forget the film
With a cover version of his song
And don’t they say
That to cover is to compliment
And to make it the films leading song
Boy o boy that’s quite some praise
Which is why I placed the Rothko
On the fifth wall
Which is why I placed the Rothko
On the bedroom wall
Which is why I now place the Rothko
On the lounge wall
Where finally, the light
Is exactly what I am looking for
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8. |
||||
Your introduction to the blues
Your first foray
Into the addictions of gin
Your first steps
From the bus stop
Back into the house-party
Disentangled
By her looseness
Turning
You the one of so few words
You the one
Of so so little grace
You the one
Almost entirely without compassion
You the one
For fight read flight
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9. |
||||
Another Christmas Eve Saturday night break-up
Another time with nowhere to go
Or rather
No one now to go out with
No swirling starlights
No girls eyeing up the boys
No boys
Becoming excited between the thighs
Sat alone in the darkness
The indefatigable darkness
Lined as with lining paper
All around the lost soul
No moons, no crescents
No presents of rich perfume
No missions, no roasting chestnuts
All a sense, of deserting the lover’s last role
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10. |
Albatross
01:06
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The young, innocent, sixteen year old
Stood in awe, in front of
A full size replica, of a 1930’s American automobile
Hung, as it was, from the students union ceiling
The main decoration
For the Molls & Gangsters Christmas ball
With live music
Courtesy of Peter Green’s Fleetwood Mac
Those steps to the balcony
Are now steps in the multi-storey car park
Which go down to the ring road
Across which was the Technical College
Where the young sixteen year old
Studied Electrical Engineering
Yet desperately wanted to be in Art College
Making sculptures out of papier-mâché
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11. |
Son Of A Preacher Man
00:59
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Two churches
With a two-sided seat
A bicycle ride in April
To remember the features
All that birdsong
All that mown grass
Time for shear contemplation
Thoughts way out over the reaches
Young girls, and young boys
On their own, here in the country
No fears of the city
Just you and me, beside the beeches
Yet you in spirit only
No need here for recriminations
Not for we
For we are plain speaking creatures
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12. |
||||
High summer, in the middle of springtime
Warmth, light, daytimes for leisure
Steam trains, caravans
Ice cream parlours and window shopping
Yes there is a racecourse
And a dozen or more fishing lakes
But it is expensive parking
To look down from the top of Sutton Bank
To see a faraway panoramic horizon
To see a sky turn into more than white
Here and now then, to set the controls
For the heart of the sun
To venture where no one has before
To venture where no one can again
To turn on the turntables of immensity
Towards the heart of the son
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13. |
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This time I will almost make it
This time I will feel for sure
All alone now, no more to fake it
For you loneliness is my cure
This time I will delve deeper
This time I will engage the pure
All alone now, no more the keeper
For you emptiness I will endure
And why wouldn’t one repeat it
Again, and again, and again
Why wouldn’t one seek to keep it
The stain, the stain, the stain
Yes, why, yes, why not why
To carry your rose beside you
Yes, why not cry, and cry, and cry
For the English Rose which you coloured blue
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14. |
Love Me Two Times
01:11
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We posted our letters
We made our feelings known
We cursed and cursed our betters
For the winds of change had blown
We made our notes in the margins
Explaining why what was shown was shown
We explored the slopes of those margins
To see why what had grown had grown
I read again the letters
This time to search between the lines
I cursed again our bastard betters
And asked politely if I could pay the fines
We spooked ourselves more or less forever
With the essence of the myth
We saw the light, but we were way less clever
On the B roads to herewith
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15. |
Whole Lotta Love
01:00
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Way before Wichita Lineman
We thought the juke-box was ours
Way before Desert Island Disks
We thought the juke-box was ours
Swaying on the soddened sticky carpets
Strumming away, on our favourite air guitars
Playing fast, to impress the young girls
Straying past, for all and sundry to see
He moved on, she moved on
They moved on, we moved on
Two nights running we saw them
Two nights
Sleeping on the air vents
Outside the two cities railway stations
Two nights
Screaming out; it’s a Whole Lotta Love
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16. |
Parisienne Walkways
01:12
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Oliver Reed, being mischievous
On the aeroplane back from the court
Mona Lisa, smiling
On the way to the jurisdiction
Drinking coffee and smoking cigarettes
In the Place de la République
Sat in the sun, on the steps
Of the Musée du Louvre
Later, you, with your esteemed translator
Stood in front of the judge, who said
‘We don’t allow you to walk away
We don’t want you to walk away’
Yet your smile soon disarmed him
Your infectious enthusiasm
Won them all over
That was, until the day, when you walked away
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17. |
||||
Youth clubs
And teenage disappointments
Playing at being the DJ
Wearing tight, sky-blue jeans
You thought she smiled at you
You thought she said hello
Her friend said my friend wants to go out with you
What might you now need to know
Conversation was not a problem
Until the two of you were left alone
Dancing in a group came easy
Her style being to quite command the zone
But then came the night of the all-nighter
Together in joined up sleeping bags
The fondling, and the pretend sleeping
Before your hopes began to flag
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18. |
All The Young Dudes
00:56
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High waist
Lime-green satin trousers
Skin tight to the thighs
Intense bell bottoms
To cover the Cuban heels
A dyed red safari jacket
With sleeve ends
Of deepest-purple calf leather
West-Coast American bands
Grateful Dead and the like
Not ideally suited
To the English downpours
Not ideally suited
To the English tastes in music
Rather we preferred The Who
And José Feliciano
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19. |
Born In The USA
00:56
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I have been there
Didn’t I just go on and on
About Monet’s painting
In the Museum Of Modern Art
The hairs on my neck bristling
From quite a distance away
Before hiding my head in the footwell
As we drove through the Bronx
Also
The abject change of lifestyle
Across the traffic lights
Of Fifth Avenue
O and don’t let me forget
That bookshop in Santa Monica
Where I bought Calvino’s Invisible Cities
Along with postcards to write and post
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20. |
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With each turn
I turn away
With each turn away
I return ever stronger
What I learn
I choose to say
I learn to choose to say
Stay a few moments longer
With each loss
I lose a little more
I lose loss that little more
Each day to become stronger
What I gloss over
Is the determination to move on
I gloss that move on over
That way I am alive a little longer
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21. |
Made Up Love Song # 43
00:57
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Tonight it is standing room only
Leaning on each other
Leaning into each other
Leaning and singing to each other
Joining in with the young people
Joining in with the band
Everyone tonight is happy
Happy, or else be damned
The doors open
Crowds tumble out
Into the night air
Onto the night-time streets
Past the down and outs
Bedding down beside the canal
Past the drunks, and the druggies
On the way to they know not where
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22. |
Nessum Dorma (Jeff Beck)
01:27
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The players are due out soon
Crowds of fans wait in anticipation
Hairs rising on the backs of their necks
Smiles foraging about in the sunlight
Another Sheffield Wednesday Saturday
Another day among friends on the Kop
And aren’t we classy, to play Nessum Dorma
Before we sing along to Hi-Ho Silver Lining
Six plays of the new downloaded playlist later
Jeff Beck’s music is lucidly infused within me
I was close to tears, watching and hearing
Rod Stewart, Eric Clapton, and Jan Hammer
Talk so lovingly, even, yes, adoringly about him
This was the peer to peer adulation we all crave
You will have been there, maybe with Elvis Costello
Or The Artic Monkeys, but you will have been there
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23. |
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On the unadopted road
With four pairs
Of 1930’s semi-detached houses
With open fields
To the front, and to the sides
Where, on the night of the party
Friends congregated, including
Teenagers seeking to lose their virginity
The policeman asked:
Is that King Crimson I can hear
The prog-rockers, in their glitter said yes
The folkies, with their acoustic guitars, said yes
The soul dudes, in their mohair suits said yes
The hippy hippy shake shakers loosely said yes
The LSD boys said yes, or at least imagined they did
And I said: yes, yes it is officer; do you like it?
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24. |
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Without your identity where are you
Without your intention where are you
Without your light where am I
Where then might our catchment content be
Born into the valley
Given to the clay, given to the water
Thus to call out, over the oceans
Thus to climb, to the top of the hills
Without sight how might I see you near me
Without sound how might I round you up
Without scent how might your aroma fill me
Where then might our essence ever dwell
Scattered to the four winds
Gifted to the previous attachments
Is it ever to parade itself majestically
Thus to bounce lightly, on and into the night
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25. |
Seasons In The Sun
01:23
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I spoke of the truth
Yet so so few did receive me
I crossed out the lies
Which tried so so hard to deceive me
I sang the song that I saw
And o, o how time raced along
I was you see as before
And o, o how the passions raged among
Yet guilt was always close on by
As those cold; no, no words surfaced
I never was so, so unwise
With absolutely no, no certainty of purpose
Today it is the Cherry Blossom
Blowing low, low in the breeze
The equanimity of you, you my possum
Whose low, low esteem I had to leave
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26. |
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I scathe at the indifference
Beside myself with rage
I crawl with stiff resistance
To forge words onto the page
The lathe of love once turned
I remember, to this very day
Those hot-ache cokes that burned
To fire the kilns of clay
Hide away then the inference
There’s more which I wish to claim
In this league of subsistence
The desire is mine to aim
So my dear, once more to flower
Before the time to go on stage
I write for the coliseum’s power
Of that pastoral, present age
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27. |
I’m Losing My Mind
01:12
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Hide away your Lazarus
Your hopes of slight refrain
Cover up your own ambition
With thoughts of nought, nought to gain
Obscure them with the obscurity
That certainty of knowing how to stain
Become purer, purer with such a surety
From the flowing, the flowing of the grain
Don’t you go steal the highlights
On the darkness of the turn
Rather, be hidden by the street fights
The starkness through which we learn
Move onwards, endways to your ending
Satisfied, with your rustle in the bushes
Rather than it be the opening night
After the final cutting of the rushes
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28. |
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No one is here now
No one at all to disarm
The seas they are clear now
And soon, soon there will be calm
But first a raucous adventure
Some way beyond the gales
A theatre for rolling and rocking
And for ably going off the rails
No one was there though
No one to hold, nor to charm
The tide turned ever so slow
As lips without the curing balm
But yes, there was a naughtiness
In so deep; it was a new way to fail
The novelty of such intense haughtiness
For a time it matured, but then too went stale
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29. |
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And so then now why wouldn’t you
Make your own cover version
Nothing of you; hidden, nor given away
By you singing someone else’s song
Not by the words that is
But boy o boy
What heart-wrenching longing
What tearful, soul-suspended despair
For you, your minor key was anything but
Heavy with the blanket of a lover’s ache
Heavier with the futility of a lover’s loss
Yes, you took yourself to anywhere but
Into those rooms where fools and devils roam
Into those spaces for the almost silent
Except, yes except you heard your own cry
A cry which carried itself into the vast deafness
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30. |
Reason To Believe
00:56
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Seriously pink sand
Are we going anywhere
Let me take you by the hand
Let me meet you there
Single golden band
Are we tied to anything
Some words are rather grand
They say so so many things
Roll back
As waves, as surfs surf
Add to the stack
With love not mirth
Turn over
As once, so once more
In the clover
Has kept, always, in the store
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31. |
500 Miles
01:03
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You slide about
On packed white snow
I walk into town
In search of toothpaste, and slippers
You post a streaming video
So that your friends and folks might know
I on the other hand
Remain mute about listening to The Hunter
Once more, as before
You bag another Scottish Munro
Whilst for our tea, on Thursdays
We have milk-boiled kippers
You sang, in abundant joy
At the Portuguese karaoke show
Albeit against a disapproving face
As black as abject thunder
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32. |
She (Charles Aznavour)
01:18
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Soft submissive sands
There to place hands
Softly upon your navel
Warm instilling thoughts
That we ought, didn’t we
We ought to go a little further
Further into the deep of night
Further to the hopes of our saviour
Tender is the skin
The skin which so so calmly says
Pray, won’t you please come on in
Enter; enter slowly, and fondle
Feel the storms begin to rise
With those wanton wish-fulfilling sighs
Yes, yes we should, yes we should be sated
Be together, sated together, as now, as later
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33. |
Let It Be
01:26
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Sedum Palustre, Sedum Rotundifolium
Serums of ecstasies
Serums of saints and sinners
Sedums of successful procreation
Latin first, and Latin last
Latin for lover’s communication
Lothario with his poems of pasts
Latin to the point of fornication
Let it be, let it be
The chosen words where it was ok
Let me see, let me see
The chosen words were encouraging
Yet not to be said again
No, no more those words to be spoken
Neither on the pillows, nor the bed
Words of sex so even-handedly unopened
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34. |
Daydream Believer
01:18
|
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Would you like to come into my bed
Isn’t that what you always wanted
Please, pick yourself from my floor
For that, you see, is what I always wanted
From first sight, to longer view
I said to myself; yes, why o yes
From breaking light to morning dew
I thought to myself; why, o how blessed
To slip together so easily
To lay there free and swell
Abroad on your breasts so eagerly
Such had the fires of fate to sell
In and out, and to and fro
Our words no more than gasps
Up and down, and back and forth
O how those lips of lust we clasped
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35. |
Walk On The Wild Side
01:21
|
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We spoke of Raglan Road, and Grafton Street
Indeed a few years ago you and I walked
From the former, to the latter, on our way
To the Gresham Hotel down O’Connell Street
Where the men of the cloth wined and dined
Of course we looked into the cloisters
Of Trinity College, where many years before
I had begun to lose and to find myself
Found by talking with Professor PJ O’Reilly
Who asked if he may join me for dinner
Found by buying, and then reading
Jonathan Livingston Seagull
In the airport departure lounge
Where also I spotted the brothers and the sisters of the faith
Priests resplendent in velvet robes, and crocodile skin shoes
With nuns carrying their personalised Versace leather handbags
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36. |
||||
Where did I find you, how did I find you
What did you mean to me, such that
Such that I should happily include you
Include you in my permanent collection
And now that you are, so to speak, resident
I can tell my close friends all about you
About your background, your provenance
Your origins, and your exceptional raison d'être
Giving up on beautiful, and giving up on pain
Where did I find you, how did I find you
What on earth did you mean to me
What on earth did you see in me
Sunshine and rain, plain your wish to be with me
To rearrange, to realign the previous proposal stain
Beside the Machair, on those wind blown beaches
To redistribute, to reaffirm our closest, furthest reaches
|
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37. |
||||
A train, to an aeroplane, to another train
A taxi, to a door, to another door
A lift, to an upper floor
To a waiting room
Where relatives sat in silence
Where relatives sat in tears
You entered yet another room
Only for you, only for you now
Bright blue Atlantic surf
Signature light of St Ives
No time for clothes to be discarded
Time having hardly been on your side
A step, a stride, a leap or dive
Swimming, smiling, laughing
The letters would say thank you
The actions would say love
|
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38. |
Imagine
01:12
|
|||
In the blink of an eye
In the closure of a door
In that last moment of why
In that step out onto the dance floor
In that walking together
Of an April afternoon
In that sunlit fair-weather
To spill a cup and a spoon
The blossom is full
As you prepare to say au revoir
The crystals colour the skull
As my words say mon amour ce soir
Afterwards, I try, piece by piece
To build the memory of this day
To listen, to learn, and to seize
On the all of the how, of how and why I played
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39. |
The Last Time
00:59
|
|||
This could be the last time
Maybe
I don’t know
This short path to the last line
Perhaps
Fast-fast-fast; slow-slow-slow
Mick Jagger’s swagger and Keith Richard’s licks
Exciting the young girls, and the young boys
On their holy-communion day tricks
This could be the last time
Maybe
I don’t know
Perhaps
Today, today, today; tomorrow
Alex’s poise, the Arctic Monkeys latest kicks
This sure could turn out to be the last line
|
Christopher Sanderson England, UK
Christopher is a poet, a writer, a meditation teacher and a creative writing workshop facilitator; a catalogue of most of his work can be found at poetryshop.co.uk, a short summary of the past few years of his life can be found at coastmoor.co.uk
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